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Dall'archetipo nobiliare ed europeo di Dracula ai più recenti e ambigui succhiasangue, conflittuali antieroi e languidi sex symbol, il libro promette di presentarci i migliori – o forse anche i peggiori, secondo il punto di vista – fra i vampiri narrativi delle ultime generazioni.
By Blood We Live
John Joseph Adams
Night Shade Books, 2009
brossura, 491 pagine, $15.95
ISBN 9781597801560
Questo il ricco indice dei racconti:
Snow, Glass, Apples — Neil Gaiman
The Master of Rampling Gate — Anne Rice
Under St. Peter's — Harry Turtledove
Child of an Ancient City — Tad Williams
Lifeblood — Michael A. Burstein
Endless Night — Barbara Roden
Infestation — Garth Nix
Life is the Teacher — Carrie Vaughn
The Vechi Barbat — Nancy Kilpatrick
The Beautiful, The Damned — Kristine Kathryn Rusch
Pinecones — David Wellington
Do Not Hasten to Bid Me Adieu — Norman Partridge
Foxtrot at High Noon — Sergei Lukyanenko
This is Now — Michael Marshall Smith
Blood Gothic — Nancy Holder
Mama Gone — Jane Yolen
Abraham's Boys — Joe Hill
Nunc Dimittis — Tanith Lee
Hunger — Gabriela Lee
Ode to Edvard Munch — Caitlín R. Kiernan
Finders Keepers — L. A. Banks
After the Stone Age — Brian Stableford
Much at Stake — Kevin J. Anderson
House of the Rising Sun — Elizabeth Bear
A Standup Dame — Lilith Saintcrow
Twilight — Kelley Armstrong
In Darkness, Angels — Eric Van Lustbader
Sunrise on Running Water — Barbara Hambly
Hit — Bruce McAllister
Undead Again — Ken MacLeod
Peking Man — Robert J. Sawyer
Necros — Brian Lumley
Exsanguinations — Catherynne M. Valente
Lucy in Her Splendor — Charles Coleman Finlay
The Wide, Carnivorous Sky — John Langan
One for the Road — Stephen King
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